![]() “Now teens can get all kinds of content about themselves made by themselves, which gives them a greater sense of truth to them than something that any feature film producer would cook up.” ![]() ![]() ![]() “It was one thing when the gatekeepers, usually old fogies, controlled what kind of content was going to be put out about teens,” he said. Cohen’s film, attributes the shift to technology that puts audiences in control. It all looks a bit too perilous for the big studios.Ĭhris Weitz, the co-director of “American Pie” and one of the producers of Ms. Yet fast forward a decade to the female version of that gross-out comedy, the Olivia Wilde-directed “Booksmart,” which was beloved by critics and also featured an up-and-coming cast, but only earned $25 million in box office receipts. Back in 2007, the comedy “Superbad,” starring then-relative unknowns Jonah Hill and Michael Cera, became a significant hit, earning $170 million in worldwide grosses.
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